- Documentary of ancient space faring civilizations natgeo plus#
- Documentary of ancient space faring civilizations natgeo series#
- Documentary of ancient space faring civilizations natgeo tv#
–WFĭescription: Reacher follows Jack Reacher (Alan Ritchson), a veteran military police investigator who has just recently entered civilian life. In addition to Brunson, cast members include Tyler James Williams, Janelle James, Chris Perfetti, Lisa Ann Walter and Sheryl Lee Ralph.
Documentary of ancient space faring civilizations natgeo series#
The series also magically finds a way to be amusing when talking about serious things such as struggling to find a rug for a classroom or fixing broken toilets.
Documentary of ancient space faring civilizations natgeo tv#
Why we were looking forward to it: The “it’s funny because it’s true” storylines about what teachers have to go through are more honest and heartfelt than most TV shows about educators.
Documentary of ancient space faring civilizations natgeo plus#
education system, plus some extra credit for a deftly handled will-they-won’t-they dynamic. 4, 2022ĭescription: Based on the experiences star and creator Quinta Brunson’s mother had as an elementary school teacher, this is a mockumentary sitcom on ABC about teachers and staff at an underfunded Philadelphia public school.Ĭritics Consensus: Abbott Elementary earns top marks for its empathetic yet sidesplitting critique of the U.S. When for under 10 bucks you can buy a 15 hour podcast about the Roman Empire, it seems kind of silly to complain about basic cable showing dumb shows about truckers.Premiere Date: preview Decemtime slot premiere Jan. There are many other options to be entertained by this stuff beyond a cable subscription to that channel. The history channel isn't bad for casual history learning, its irrelevant. Now If you like history there are blogs, YouTube videos, this subreddit and others, pod casts, and many more options. 10-20 years ago the most accessable options outside of the academic world to casually learn about history was the history channel or going down to the bookstore and taking a chance on a pop history book. Its not like this is a bad thing for history or history nerds. By growing the market through "lowest common denominator" tactics they get more successful. I think one thing that this interview highlights that everyone seems to forget when they bemoan the history channel for not being academic is that its first and foremost a business trying to sell ad space. Her response?ĭubuc brushes off the critique: “At the end of the day we’re not an education resource. Their other non-historical content sells. In other words, actual history didn't sell. “They’ve really pushed the envelope and brought in a broader audience.” “Think back to when it was mostly World War II documentaries and that type of content,” says Gibbs Haljun, a managing director at MEC, a media-buying agency. Dubuc suspected that something about the milieu captivated people’s imaginations.Īnd in case some hackles are rising, this quote exactly sums up why History Channel is going in this direction (emphasis mine): Over the years, an episode that focused on the hazardous job of driving trucks over Canadian frozen lakes always did surprisingly well. For years, History had aired an anthology series called Modern Marvels, each episode of which went behind the scenes of some aspect of contemporary life. She explored anything that showed quantifiable evidence of connecting with viewers. My philosophy was that we needed to evolve the definition of history.” “But the baggage is that a lot of people have an academic connotation. “History is a powerful word and a huge advantage for us,” Dubuc says. Some viewers insisted that History devote itself to educational stories about great men in breeches, waistcoats, and tricorn hats others assumed that anything on History will not be fun. History has strong connotations: Ancient. “You either have that or you don’t.”Īlong with challenging what History guys would watch, she had to contend with the name. “Nancy is willing to take chances,” Raven says. Turning around a struggling cable brand takes a willingness to experiment and a capacity to survive public flops and inevitable criticism. Raven asked Dubuc to return to History to run the channel. While on maternity leave in 2007, Dubuc got a call from her mentor, Abbe Raven, then-CEO of A+E Networks. Along the way, A&E forged a new identity with the help of successful shows about an ex-con, born-again Christian bounty hunter in Hawaii (Dog the Bounty Hunter), the family of a mafia boss (Growing Up Gotti), and the lives of substance abusers going through rehab (Intervention). Dubuc and her colleagues experimented with reality television, scouring the fringes of American culture for memorable characters who could take viewers into unfamiliar worlds.
When Dubuc joined A&E, it had just lost its contract to air repeats of Law & Order, which left lots of airtime to fill. A lot of their content is the result of the CEO of A&E, Nancy Dubuc.